Monday, 29 April 2019

2019.04.20 Magadi Ranganatha Swamy temples



The Ranganatha Swamy temples are located in the historic town of Magadi, about 41 km from Bangalore. The temple is a protected monument under the Karnataka state division of the Archaeological Survey of India.
Magadi was first founded by the Chola dynasty around 1139 A.D. during their rule over the region. Magadi is the birthplace of Kempe Gowda, the Vijayanagara chieftain who founded Bangalore in the 16th century.


Ranganatha temple
According to locals the sanctum of the Ranganatha temple was first consecrated in early 12th century by the Chola ruler and the temple has undergone renovations and expansion since. Based on an inscription on a Garuda sthamba (Garuda pillar) in front of the temple, the tall decorative Gopurams (towers) were added by the famous Vijayanagara empire King Krishnadeva Raya in 1524 A.D. Contributions were also made by the Mysore regent Tipu Sultan and the Maharaja of Mysore Jayachamaraja Wodeyar.


The Ranganatha Swamy temple is situated on a hill called Tirumale. There is a vast Prakara with a gateway having tall Rajagopura.

The temple dedicated to Lord Ranganatha is actually a standing image of Narayana about 3 ft tall in Vijayanagara style with Shankha, Chakra, Gada and Abhaya attributes in four hands. The main deity is traditionally believed to be installed by Mandavya Rishi hence lending the location the name "Mandavya Kshetra" (abode of Manavya).
The pillars in the temple have attractive sculptures in relief. On either side of the temple entrance are two large colorful images of elephants.

Gopura of the temple is in Dravidian style. There are beautiful pillars inside the temple. Usually the idol of Lord Ranganatha would be in reclining position. But here it is in standing posture. Originally it is said to be the idol of Lord Venkateshwara but during the regim of Tippu Sultan, the locals called Venkateshwara as Ranganatha, as Tippu Sultan was faithful to his god Ranganatha Swamy at Srirangapattana.


One more interesting idol inside is Beleyo Ranga (Growing Ranga) which is a small idol of Ranganatha in reclining position.



There are other shrines dedicated to Rama, Sita, Anjaneya and Venugopala Krishna. Behind the main shrine, there is a small temple dedicated to Putta Ranganatha. The temple of Goddess Lakshmi is also near this shrine.


There is a Garuda Sthamba (flag post) which mentions the offerings made by Emperor Krishnadevaraya in 1524 AD. The stepped well or kalyani (sacred pond) is on the right side of the temple and many rituals are conducted here.


Monday, 4 March 2019

2019.02.20 - Udupi



The holy town of Udupi lies on the Arabian Sea in the state of Karnataka. The town is famous as a place of pilgrimage because of the temple Sri Krishna Matha. This temple was founded by Sri Madhvaacaarya (A.D. 1238–1317), one of the greatest saints, philosophers, and religious reformers of India.
Udupi is said to have attained the status of Vaikuntha, the kingdom of God, because the Supreme Personality of Godhead came and stayed there in response to the desire of His pure devotee Sri Madhvaacaarya.
The unique feature of Shree Krishna Matha temple is that the Lord is worshipped only through a window with nine holes called the Navagraha Kindi. The window is exquisitely carved and silver – plated. It has been a tradition in this temple to worship the Lord only through this window.
Even before Madhva's time, Udupi was renowned as a holy place. People throughout South India frequently went there on pilgrimage because it was a center of Vedic scholarship and the site of two ancient temples, Sri Ananteshvara and Sri Candramauleshvara.
• Land of Parashuram

Lord Vishnu, in his sixth incarnation as Parashurama, after making twenty one assaults on Kashtriyas deviated from the path of religion, performed a great yajna and donated all the land he won, he was left with no land for himself.
Unwilling to stay in the land already gifted, he reclaimed a strip of land from the Arabian Sea. This coastal strip of land, from Gokarna to Kanyakumari is known as Parashurama Kshetra.
Ramabhoja, a great devotee of Lord Parashurama was proclaimed the king of Parashurama Kshetra intending to perform a maha yajna, he got the site for the sacrificial fire ploughed up. A serpent got into the plough and got killed. Although the serpent was a demon in disguise, the king was worried, as it was a sin to kill a serpent. To atone this sin, he was directed by Lord Parasurama to build a big silver podium with the image of a serpent at each of its four corners and to worship him who would be seated in spirit on the podium and also to distribute gold equal to his own weight (Tulabhara) to deserving persons.
Rambhoja did likewise and performed the Ashwamedha Yajna successfully. At its conclusion, Lord Parasurama appeared and declared that he was pleased with the Yajna and that henceforth the sacrificial land 'Rajatha Peetha' (silver pedestal) would become a famous centre of pilgrimage. This land is also known as 'Thoulava' land because Rambhoja performed 'Tulabhara'.
The king Ramabhoja also built four Durgalayas (Durga temple) and Nagalayas (Subramanya temple) one each in each direction.


• Shri Anantheshwar
In that place Lord Shiva appeared in the form of Linga and occupied the silver pedestal. It was on the request of Lord Shiva that Lord Parashurama also enshrined within the Linga – the form of Lord Anantha also and hence the name Anantheshwara was given to this unique Linga.




Built during the seventh or eighth century A.D., the temple's existence is recorded in an inscription dated 1357 A.D. and the deity in it has been referred to as Sri Mahadeva of Udupi. With spacious interiors, it was an important centre of learning then. Sri Madhwacharya is said to have studied under Sri Achyuta Prajna during his childhood. He took his “sanyasa deeksha” here. The acharya used to teach his disciples here.
The “peetha” on which Sri Madhwacharya is preserved. Prayers are offered to the “peetha” daily. Sri Vadiraja Swamiji is said to have installed a statue of Sri Madhwacharya. The “mukhamantapa,” “navaranga”, and “garbagriha” or the sanctum sanctorum of the Anantheshwara Temple are known for their unique architecture.
The Shri Anantheshwara Temple has been a seat of learning since time immemorial for the study of Veda, Vedanta, Upanishads. It was this place where Shri Madhwacharya obtained lessons from his Guru Shri Achyuthaprekshacharya. The details of Anantheshwara appear in the Shri Skandapurana.
Srila Madhvaacaarya, in the years before he founded the Sri Krishna Matha, was affiliated with the Sri Anantesvara temple. Here he used to hold audiences mesmerized with his learned discourses on the science of Krishna awareness. Within the temple compound he would regularly hold debates with scholars opposed to pure devotion to Lord Krishna as the ultimate end of Vedic knowledge. Madhva never lost a debate.
After founding Sri Krishna Matha, Madhva made it the center for all his activities. Tradition still has it, however, that pilgrims go first to Candramaulesvara and offer their respects to Lord Shiva, then to Anantesvara to offer respects to Lord Vishnu, and finally go across the street to Sri Krishna Matha to worship Sri Madhvaacaarya's original Deity of Lord Bal Krishna, the Supreme Personality of Godhead as a young child.


• Shri Chandramouleeshwara

It is said that Chandra (Moon God) was cursed by Daksha Prajapati. To ward off this curse, Chandra performed self-punishment to Lord shiva on the banks of a holy pond, Chandra pushkarini. Lord Shiva being pleased appeared and released Chandra off the curse. “This place has since been known as CHANDRAMOULEESHWARA and there is an ancient temple of this name.
The Chandramouleshwara Temple in Udupi was constructed below the ground level. It must have been constructed on a lake-bed. This temple is said to have been built after the construction of the Anantheshwara Temple. Legend has it that the Lord Chandra (moon) did penance at this spot to appease Lord Shiva. The architecture of this temple dates back to the seventh or eighth century A.D.. In the inscriptions, the Anantheshwara and Chandramouleshwara temples have been referred to as “Padudeva” and “Mududeva”. These temples have been referred to as “Mududevalaya” and “Padudevalaya” in Madhwavijaya .
In Sanskrit, “Udu” means stars and “Pa” means lord. Udupa means lord of stars, which is Moon. Hence the place where Udupa (Chandra) performed apology and obtained grace came to be known as UDUPI.” Since Shiva was worshipped by Chandra, the Lord is known as Chandramouleeshwara. This Shiva shrine is situated opposite to Sri Krishna temple.
The Swayambu Linga changes colour thrice during the day — black in the morning, blue at noon and white at night. The temple tank is known as Chandra Pushkarini or Madhwa Sarovar.


Udupi Krishna Temple is a famous Hindu temple dedicated to Lord Krishna located in the town of Udupi in Karnataka , India . The temple area, a holy place for daily devotion and living, founded by Madhvacharya founder of the Dvaita school of Vedanta .
It is well known from reliable source that Sri Madhwacharya is an incarnation of God Vayu who at the request Lord Narayana accepted the task of interpreting the Shastras correctly and leading worthy men to their salvation.
Sri Madhwacharya was born in the year 1238 A.D. on the Vijaya Dashami day in the month of Ashwayuja in the Vilambi Samvatsara. Sri Madhwacharya founded the Dwaita system of philosophy and propagated it throughout the country. Sri Madhwacharya gave sanyasa to eight of his disciples and commissioned them not only to carry on the worship of the idol of Shri Krishna but also to propagate the Dwaita Philosophy. The pontiff of each of eight mutts carried on the worship of the idol for a period of two months by rotation.
These Mutts are –
1) Sri Palimar Mutt,
2) Sri Admar Mutt,
3) Sri Krishnapur Mutt,
4) Sri Puttige Mutt,
5) Sri Sirur Mutt,
6) Sri Sode Mutt,
7) Sri Kaniyoor Mutt and
8) Sri Pejavar Mutt.
Since then, the daily sevas (offerings to god) and administration of the Krishna Mutt are managed by the Ashta Mathas (eight temples). Each of the Ashta Mathas performs temple management activities for two years in a cyclical order.
During the Paryaya festival, held every two years, the temple management is handed over to the next Matha. Each of the Mathas is headed by a Swami, who will be in charge of the temple during his Paryaya.

It is believed that the deity of Sri Krishna installed in Udupi by Sri Madhwacharya, was got made by Sri Krishna himself by Vishwakarma out of Saligrama stone (Shila). Towards the end of Dwapara yuga, Devaki felt a keen desire to see once again Krishna ’s balaleelas. These leelas which were enacted by Krishna for the benefit of his mother were also witnessed incognito by His wife Rukmini, who falling in love with this balaroopa requested Him to get her a similar image for her daily worship.
Thereupon Sri Krishna asked Vishwakarma to make such an image of Balakrishna with a churn (Kadagolu or Manthu) – a device uses to churn  butter from curds - in its right hand and cord (Kolalu) in the other hand.
This deity was daily worshipped by Rukimini. After Sri Krishna’s disappearance from this world, the deity fell into the hands of Arjuna, who hid it in Rukmini’s garden. By lapse of time the deity got completely covered by ‘gopichandana’. A sailor from Dwaraka loaded this heavy lump in his boat ballast, in one of his trips along the west coast.
Sri Madhwacharya, sensing this by his ‘Aparoksha’ or divine Jnana, awaited the arrival of this precious ballast at Vadabhandeshwara, a seashore spot near Udupi. When the boat approached that place it was caught by a severe storm and was about to sink.
The captain of the boat, seeing a holy man on the sea shore entered him to save him from disaster. Sri Madhwacharya waved his upper cloth and quietened the storm. The grateful captain offered all the riches in his boat to the Acharya but he accepted from out of the lot only lump of ‘gopichandana’ which was used as ballast.
On breaking this, Sri Acharya found the beautiful and perfect deity of Sri Krishna. He carried the deity to Udupi, a distance of four miles, singing praise of Lord Narayana in ecstasy. These hymns under twelve chapters are called ‘Dwadasha Stotra’. He washed the deity in the Madhwa Sarovara and installed it in the temple nearby and started worshiping it.
These poojas have been going on since then even to this day in unbroken continuity. Since Sri Madhwacharya’s time, these poojas are being conducted by his disciples who are all ‘balasanyasis’. The right of touching and worshiping this deity rests with the pontiffs of these eight mutts only who are the spiritual descendents of Sri Madhwacharya. No one else is permitted to touch the deity.



‘Kanakana Kindi’
The main attraction of Lord Krishna temple is the ‘Kanakana Kindi’ – a hole through which Krishna is believed to have given darshan to his ardent devotee, Kanaka Dasa.
 Sri Kanakadasa is one of the most famous Haridasas of Karnataka. He lived during the same time as Sri Vadiraja teertha and Sri Purandaradasa. He distinguished himself as great poet, philosopher, musician and composer. Being a disciple of Sri Vyasaraja, Kanakadasa also propagated Dwaitha philosophy of Madhvacharya through poetry and music to the masses in South India. He worshipped Adikeshava of Kaginele, presently in Haveri district of Karnataka. Kaginele, now a village, was a prosperous place and a trading centre in his times. He lived for 98 years and during his life time he travelled various places and temples.


Kanakadasa in Udupi
Kanakadasa has special association with Udupi and as he was the follower of Sri Vyasaraja Swamiji. On the advice of Vyasaraja Swamiji he had come to Udupi. But it a time when the discrimination based on the caste was at its peak in the society. The Brahmin fundamentalists did not let him enter the temple as he was from a lower cadre of the society. When Kanakadasa wanted to have the Darshan of Sri krishna he was refused to do so by the authorities of the temple and when he was reluctant to hear their words, they dragged him, accusing him of stealing a ornament of Lord Krishna, tied him behind the temple and started beating him ruthlessly. At this point, of time Kanaka started to sing the song “Bagilanu teredu, Seveyanu kodo hariye…..” which means, “Oh Lord, Open the doors and serve me with your divine blessings…”. Satisfied by his prayers, Lord Sri Krishna gives him darshan by miraculously creating a crack in the backside of the temple and turning his face towards the window. The idol of Lord Krisha turned around and a crack appeared in the western granite wall of the temple, making it possible for Kanadadasa to have a glimpse of the Lord.
Instead of having the crack plastered over again, Sri Vadiraja enlarged it and turned it into a window. To commemorate Lord Krishna’s darshana to Kanaka Dasa, the window has been designated as ‘Kanakana Kindi’.

Udupi Sri Krishna – Worshiping fourteen times daily

Lord Krishna is worshiped daily fourteen times a day by the Paryaaya Swamiji and other Swamijis. Lord is worshiped with fourteen rituals every day. The rituals begin at dawn and go late into the night. It is believed that the fourteen rituals never changed for the last 800 years.
Fourteen daily rituals:
Rituals take place in the forenoon
1.      Nirmaalya Visarjana pooja
2.      Ushakala pooja
3.      Akshayapaathra – Gopooja
4.      Panchamritha Abhishekha pooja
5.      Udvartana pooja
6.      Kalasa pooja
7.      Theertha pooja
8.      Alankaara pooja
9.      Avasara Sanakaadi pooja
Rituals take place in the evening
10.  Maha pooja
11.  Chaamara Sevaa pooja
12.  Rathri pooja
13.  Mantapa pooja
14.  Shayanothsava pooja
Madvasarorava



Adjacent to the main corridor through which the pilgrims enter the Krishna temple, there is the holy tank called Madvasarorava (Madhava Pushkarani). The tank was originally known as Anantha Theertha, but after the Ganga descended into this tank for the sake of Madhvacharya, it came to be designated as Madhvasarovara The tank has stone steps all round and a mandapam in the centre. Deities of Sri Krishnapur, Puttige and Kaniyoor mutts are worshipped here on the evening of Utthana Dwadasi. During Rathotsava nights Teppotsava take place in this tank. In the southwest corner of the tank is a shrine dedicated to Bhaagiirathi (Ganga) seated on a crocodile. It is believed that Ganges water flows in to this tank once in 12 years. For daily abhisheka of Sri Krishna water from this tank is used. The Swamijis have to bathe in this tank before they commence the worship at the shrine.
The Festival of Paryaya
Paryaaya’ is the system in which the responsibility of worshipping Sri Krishna and the management of His temple is undertaken in rotation by the eight pithaadhipati’s of Udupi. The Swamiji who is in charge of the worship is known as the paryaaya Swamiji and his Matha is known as the paryaaya Matha.  The duration of this tenure is known as the paryaaya period and the handing over of the worship form one Swamiji to another is known as the paryaaya festival.
The preliminary rituals for paryaaya begin a year before the actual paryaaya. The four main rituals are:
Baale Muhuurta
Akki Muhuurta
Kattige Muhuurta
Bhatta Muhuurta
Baale Muhuurta:
During his term of paryaaya, each Swamiji will use untold amounts of Tulasi leaves for the daily services in Krishna Mutt and plantain leaves for daily meals and for the many special feasts held during this period. To ensure this, about one year before the paryaaya, on an auspicious day, plantain and Tulasi groves are established.
On the day of muhuurta the Mutt priests first pray to the nine planets. Then the Matha workers carry tulasi and plantain seedlings in procession to Krishna Mutt. On the way they are accompanied by the Krishna Mutt elephant and other paraphernalia.
Prayers are first offered in the Chandreswara and Ananteshwara temples before the procession enters Krishna Mutt. Coins are offered to Sri Krishna and then prayers are offered so that there will be no shortage of tulasi leaves for pooja or plantain leaves for meals. After offering prayers to Sri Mukhya Praana (Hanuman) and Sri Madhvacharya, the workers then return their Matha before going on to plant the seedlings.
Akki Muhuurta:
During the two year period of paryaaya, many thousands of people are fed. During special festivals up to 15 thousand people are fed at a time. It was estimated that up to 30 thousand were fed on that day. To cater for huge crowds such as this, as well as the many hundreds, sometimes thousands, who visit Krishna Mutt daily, special arrangements are made to stockpile the rice needed. This collection of rice begins from the harvest of the year preceding the paryaaya. To ensure an adequate supply of rice the ritual of Akki Muhuurta is performed. This ritual is performed by the Swamiji himself.
Kattige Muhuurta
This ritual is conducted some six months before the commencement of paryaaya. Once the collection of rice has begun it is time to begin collecting the firewood used in the cooking of foodstuffs during the paryaaya. Some of the firewood is stored in a very artistic manner and the way it is stored is specialty of Udupi.
The firewood is cut into varying lengths and then artistically piled up in the shape of the Brahma ratha. This ritual commences in the Mutt of the incoming paryaaya Swamiji where prayers are offered to the nine planets. A procession then sets out with the Mutt workers carrying loads of firewood. After the ritual of purifying the ground, the artists commence the construction of the firewood rath. The firewood rath is some fifty feet in height and remains in place until the wood in it is used for cooking just before it is time to construct the rath for the next paryaaya.
Bhatta Muhuurta:
This ritual is performed some seven or eight weeks before the new paryaaya. It is the ritual of gathering paddy from the new crop before the commencement of the paryaaya. Prayers to the nine planets are offered in the Mutt and then the paddy is placed on a palanquin, covered in a silken cloth, and carried in procession to Krishna Mutt.
The paddy is placed on a platform and the Mutt priests offer rituals of worship. The Mutt manager then offers fruits and remuneration to the scholars gathered there. From this time onward the incoming paryaaya Mutt takes charge of the badagu maalige.
On this day, another ritual takes place. By this time the construction of the wooden rath is completed and a decorated dome is carried in procession to the rath where it is ceremoniously handed over to the chief architect who has it placed on the top of the rath. This is the last of the preliminary rituals of paryaaya.
It can be seem from these rituals that they are conducted so as to acquire leaves for eating, rice for food, firewood for cooking, paddy for rice, and so on. Their sole aim is for the continuation of the tradition of mass feeding of pilgrims and devotees in Krishna Mutt. This tradition of mass feeding is why Sri Krishna of Udupi is known as anna brahma.






Wednesday, 19 December 2018

Shree Venkateswara Temple, Tirumala

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Introduction:

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Lord Venkateswara Temple at Tirumala (Tirupati) is one of the most famous temples in India. With more than three and half crores (3.5 crores) pilgrims visiting the temple every year, approximately 95,000 pilgrims every day, it is one of the most visited holy places and also one of the richest temples in the world.

Lord Venkateswara Temple Built is on the Venkatachalam which is a part of the famous Seshachalam (Cluster of 7 Hills representing representing the seven heads of Adisesha). Tirupati Temple is considered as one of the holiest shrines by the Hindus. According to a legend, Lord Vishnu assumed the form of Sri Venkateswara.



There are several legends associated with the manifestation of the Lord in Tirumala. According to one legend, the temple has a murti(deity) of Lord Venkateswara, which it is believed shall remain here for the entire duration of the present Kali Yuga.


Legend


A mythological story about Sri Maha Vishnu come to Earth incarnated as Venkateswara and appeared for the salvation and upliftment of humanity in this Kali Yuga age. 
 Once Saptha Maha Rishis headed by Kasyapa Maha Muni began to perform a Yaga on the banks of the Ganges. Sage Narada visited them and asked them why they were performing the Yaga and who would be pleased by it. Not being able to answer the question, the rishis approached Sage Bhrigu. To reach a solution after a direct check of reality.
(Maharishi Bhrigu –
·                     one among the Saptarshis,
·                     one of the many Prajapatis (the facilitators of Creation) created by Brahma
·                     Considered a Manasa Putra ("mind-born-son") of Brahma.
·                     Along with Manu, Bhrigu had made important contributions to Manusmriti.
·                     Two sons named Dhata and Vidhata.
·                     Daughter Lakshmi married Vishnu
·                     He had one more son – Shukra, learned sage and guru of the asuras
·                     One of his descendants was sage Jamadagni, father of Parashurama, an avatar of Vishnu)

Sage Bhrigu first went to Satyaloka, the abode of Lord Brahma. At Satyaloka, he found Lord Brahma, reciting the four Vedas in praise of Lord Narayana, with each of his four heads, and attended upon by Saraswati. Lord Brahma did not take notice of Bhrigu offering deferential respect. Concluding that Lord Brahma was unfit for worship, cursed Braham not to be worshiped in Bholoka, Bhrigu left Satyaloka for Kailasa, the abode of Lord Shiva. 
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At Kailasa, Bhrigu found Lord Siva spending his time pleasantly with Parvati and not noticing his presence. Parvati drew the attention of Siva to the presence of the sage. Lord Siva was furious at Bhrigu's disturbance and tried to destroy him. The sage cursed Lord Siva  that shiva will be worshiped only in ‘Ling Roopa’ aand left for Vaikuntam. 
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At Vaikuntam, Lord Vishnu was relaxed on Adisesha with Sri Mahalakshmi in service at His feet. Finding that Lord Vishnu also did not notice him, the sage was enraged and kicked the Lord on His chest, the place where Mahalakshmi resides. At once, Lord Vishnu hurries to apologies to the angry sage and pressed his feet to allay the pain caused to Bhrigu's leg. In doing so the Lord removed the eye in the foot of the sage, stripping of his special powers. Thereupon, the sage concluded that Lord Vishnu was the most supreme of the trimurthis and told the rishis the same. 
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Sri Mahalakshmi was angered by the action of her Lord in apologizing to Bhrigu who committed an offence. Out of anger and anguish she left Vaikuntha and resided in Karavirapur now known as Kolhapur. After the departure of Mahalakshmi, a desperate Lord Vishnu left Vaikuntam and took abode in an ant-hill under a tamarind tree, beside a pushkarini on the Venkatadhari, meditating for the return of Lakshmi, without food or sleep. 


This was the place where Lord took the form of Varaha to rescue Mother Earth form the deep ocean.
Taking pity on Lord Vishnu, Brahma and Maheshwara decided to assume the forms of a cow and its calf to serve Him. Surya, the Sun God informed Mahalakshmi of this and requested her to assume the form of a cowherdess and sell the cow and calf to the king of the Chola country. The king of the Chola country bought the cow and its calf and sent them to graze on the Venkatadri along with his herd of cattle. Discovering Lord Vishnu on the ant-hill, the cow provided its milk, and thus fed the Lord. Meanwhile, at the palace, the cow was not yielding any milk, for which the Chola Queen chastised the cowherd severely. To find out the cause of lack of milk, the cowherd followed the cow, hid himself behind a bush and discovered the cow emptying her udder over the ant-hill. Incensed over the conduct of the cow, the cowherd aimed a blow with his axe on the head of the cow. However, Lord Vishnu rose from the ant-hill to receive the blow and save the cow. When the cowherd saw the Lord bleed at the blow of his axe, he fell down and died of shock.





The cow returned, bellowing in fright and with blood stains all over her body, to the Chola King. To find out the cause of the cow's terror, the King followed her to the scene of the incident. The King found the cowherd lying dead on the ground near the ant-hill. While he stood wondering how it had happened, Lord Vishnu rose from the ant-hill and cursed the King saying that he would become an Asura because of the fault of his servant. The King pleaded innocence, and the Lord blessed him by saying that he will be reborn as Akasa Raja and that the curse would end when the Lord will be adorned with a crown presented by Akasa Raja at the time of His marriage with Padmavati. With these words Lord turned into stone form. Thereafter, Lord Vishnu in the name of Srinivasa, decided to stay in Varaha Kshetra, and requested Sri Varahaswami to grant Him a site for His stay.



Yasoda Reborn : Yesoda brought up Sri Krishna, the son of Devaki, in his early years. However, Yasoda was not blessed to witness the marriage of Sri Krishna with Rukmini and she felt very sad. Sri Krishna promised to fulfil her desire in her next birth as Vakuladevi in his next incarnation as Srinivasa. In Rukmini's next birth as Vakuladevi, she was serving Lord Varahaswami when He sent her to serve Srinivasa.


Padmavathi: Sometime later, a King named Akasa Raja who belonged to the Chandra Vamsha was ruling over Thondamandalam. Akasa Raja had no heirs, and therefore, he wanted to perform a Yaga. As part of the yaga, he was ploughing the fields when his plough turned up a lotus in the ground. On examining the lotus, the King found a female child in it. The king was happy to find a child even before he performed a yaga and carried it to his place and gave it to his Queen to tend it. As she was found in a lotus, the king named her Padmavati. 

Padmavathi's origin : When Ravana was about to carry away Sita from Panchavati, in the absence of Rama and Lakshmana, Agni appeared and offered Vedavati to Ravana as the real Sita who was kept with him by Rama to evade Ravana. Ravana was tricked into thinking that Vedavati was the real Sita. Ravana took Vedavati to Lanka thinking she was the real Sita, while Agni took Sita to his house and asked his wife Swahadevi to look after her.
After the destruction of Ravana, Vedavati entered the fire when rejected by Rama. Then, Agni, offered the real Sita to Rama. Rama then questioned her as to who the other lady by her side was, Sita informed Rama that the lady was Vedavati who endured Ravana's torture for ten months in Lanka for her sake. Sita requested Rama to accept Vedavati also as his spouse. But Rama declined her request saying that he believed in having only one wife during his life time.
However, He promised to wed her in her next birth as Padmavati, born as the daughter of Akasa Raja, when Rama himself would take the form of Srinivasa.
In olden times, Lakshmi, in the form of Vedavati, was staying in an ashram in the forests. At that time, Ravana, the lord of Lanka tried to tempt her. In anger, Vedavati cursed him saying that she would bring about his death.





Thus Lord Venkateshwara is incarnation of Lord Vishnu to fulfill his promise made in previous last two avathara –

1. Promise made to Yoshada – allow her to perform his marriage(promise made by Shree Krishna)

2. Promise made to Sita – Marrying Vedavathi

Marriage of Venkateshwara & Padamavathi:

One day, Lord Srinivasa, who was hunting, chased a wild elephant in the forests surrounding the hills. In the elephant's chase, the Lord was led into a garden, where Princess Padmavati and her maids were picking flowers. The sight of the elephant frightened the Princess and her maids. But the elephant immediately turned around, saluted the Lord and disappeared into the forest. Lord Srinivasa, who was following on horseback, and saw the frightened maidens. However, He was repulsed with stones thrown at Him by the maids. He returned to the hills in haste, leaving His horse behind. 
Vakuladevi found him lying on his bed, not interested in anything. The Lord informed her that unless he married Princess Padmavati. The Lord then narrated the story of her (Padmavati’s) previous birth and his promise to wed her. After listening to Srinivasa's story of how he had promised to marry Vedavati in her next birth as Padmavati, Vakuladevi realised that Srinivasa would not be happy unless he married Padmavati. She offered to go to Akasa Raja and his Queen and arrange for the marriage. On the way she met the maid-servants of Padmavati returning from a Siva Temple. She learnt from them that Padmavati was also pining for Srinivasa. Vakuladevi went along with the maid servants to the Queen.

Meanwhile, Akasa Raja and his queen Dharanidevi were anxious about the health of their daughter, Padmavathi. They learnt about Padmavathi's love for Srinivasa. Akasa Raja consulted Brihaspati about the marriage and was informed that the marriage was in the best interest of both the parties.

Kubera lent money to Lord Srinivasa to meet the expenses of the marriage. Lord Srinivasa, along with his consorts and Lord Brahma and Lord Siva started the journey to the residence of Akasa Raja with his vehicle Garuda. At the palace entrance, Lord Srinivasa was received by Akasa Raja with full honours and taken in procession on a mounted elephant to the palace for the marriage. In the presence of all the Devas, Lord Srinivasa wed Princess Padmavati, thus blessing Akasa Raja.





LORD SRINIVASA TURNS TO LORD VENKATESWARA

In about six months after this celestial marriage, Goddess Maha Lakshmi who left the lord, in the past in a huff after sage Bhrigu kicked Lord Vishnu on his chest, her dwelling place, came to know that her husband married again and came to see him in disbelief.


It is said that the Lord turned himself into a granite statue right in front of his two spouses when they together encountered him over his remarriage. Lord Brahma and Lord Shiva then appear before the confused queens and explain the main purpose behind all this complex episode, the Lord's desire to be on the holy seven hills for the emancipation of the mankind from the perpetual trials and tribulations of Kali Yuga. Goddesses Lakshmi and Padmavathi also turn into stone idols expressing their wish to be with their Lord eternally. Goddess Lakshmi stayed with him on the left side of his chest while Goddess Padmavati rested on the right side of his chest.
The Story is best narrated in Kannada feature fill starred by RajKumar named "SRINIVASA KALYANA" Watch :  https://www.youtube.com/watch?v=3yFsbRdCh-s